I was a teenager when I came across Eraserhead on a late-night movie show. Then came Blue Velvet and Twin Peaks and Mullholland Drive among many others. Lynch’s warped psycho-sexual mysteries were my favorite. Now that I’m older, I’m aware that in order to create such twisted visual experiences, the artist has to dive deeply into the themes of their work, ruminate on them, even inhabit their unease and fear. David Lynch’s question for others is exactly the question I would want to ask him myself.

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